60 years ago today , The Beatles played the famous Shea Stadium Concert .......... and they said it wouldn't last folks . Thanks Ed
It’s a short life my friend. That doesn’t seem like 60 years ago.60 years ago today
My first concert, ever (6 days later) at Metropolitan Stadium in Bloomington, MN. My dad got my brother and me tickets ($4.50 each), and we each brought a friend. Mom and Dad drove us there, and waited outside the venue for us.
The Beatles only lasted five years after that concert.
Both Shea Stadium and Woodstock used giant Altec PA cabs, tube amps, and mono 5 channel mixers. PA technology had another 5-10 years before it started getting better.
I've still got a couple of 4 channel Shure mixers, and a pair of A7-500 speaker cabs. State of the art in '65. I helped to modernize our theaters. We went with Meyer speaker systems and Crown amps, and an 88 channel Midas mixing desk.Yeah. Sometimes it’s hard to remember when the PA only had a few mic inputs. The first band I was in had four inputs on the head. Hardly anyone mic’d guitar cabinets in those days. The PAs were too limited for anything but vocal mics. Huge guitar amps were all the rage while bands waited for technology to catch up with the scale of concerts.
The 16 channel board I use for a semi-acoustic band that plays western swing and jump tunes would have seemed like a space age miracle in 1965.
The road case with power amps in it (before Class D) was known to my bandmates as the “cube of pain.” These days I can fit a whole PA big enough for outdoor gigs into a Subaru Outback. The 70-year-old me appreciates the light weight and versatility of modern gear.I've still got a couple of 4 channel Shure mixers, and a pair of A7-500 speaker cabs. State of the art in '65. I helped to modernize our theaters. We went with Meyer speaker systems and Crown amps, and an 88 channel Midas mixing desk.
Back in the day, we'd have killed for a 12 channel Mackie board and a pair of powered speakers.
First concert? Aside from local garage bands, the first big gig I went to was "Gene Pitney's Cavalcade of Stars". 28 bands in 4 hours.
Remember when you plugged a mike into the extra channel on your amp if you wanted to sing? A 50 watt Bogen mixer and a pair of Shure columns made it so much better. I was happy to get the Altec Voice cabs because they were so much more efficient. Took a pickup truck to move them, tho.The road case with power amps in it (before Class D) was know to my bandmates as the “cube of pain.” These days I can fit a whole PA big enough for outdoor gigs into a Subaru Outback. The 70-year-old me appreciates the light weight and versatility of modern gear.
I can’t believe that we used to carry Voice of the Theater speakers around in an old school bus.
And people wonder why concert tickets cost so much.I disremember the exact number of buses & semi-trucks emblazoned with "Queen with Adam Lambert" outside the Seattle venue during their first tour, but it was something like 17. That blew my mind! The show was good too.
There are two kinds of sound men: Those who need a forklift, and those who don’t. By the way, for something like a backyard party gig I still plug a mic into the extra channel on my Deluxe Reverb or Quilter.Remember when you plugged a mike into the extra channel on your amp if you wanted to sing? A 50 watt Bogen mixer and a pair of Shure columns made it so much better. I was happy to get the Altec Voice cabs because they were so much more efficient. Took a pickup truck to move them, tho.
A large rolling dimmer rack is easily a ton. Then, add 45"X 45" cases full of wire (0000 feeders, or 1-1/2" dia. multicables for lighting rigs that were well over 1 pound per foot and were 400'-500' long.) Lighting trusses preloaded with lights and cables. Multiple sound boards---FOH and monitors. Much fun. It's not just amp racks---it's how many amp racks and speaker clusters they'd carry. Thousand-foot-long mike snakes. For load ins, we'd always check to see how many semis they were travelling with. Often, there'd be a semi just for merch. Brooks & Dunn had one trailer just for the little sprint cars they tooled around in the parking lot before shows. Multiple tour busses all needing shore power. I still cringe when I see a Prevost bus on the highway. Check out the Dire Straits video of "Heavy Fuel" with Randy Quaid as an inept roadie.
I enjoyed the shows, hated the load ins and outs. Don't miss that part at all.
There are two kinds of sound men: those that have back problems, and those that will have them.There are two kinds of sound men: Those who need a forklift, and those who don’t.
Think of autocorrect as a well intentioned, but very drunk, little man that lives in your computer.In the Rutles documentary they played at Che Stadium, “named after the famous guerilla leader Che Stadium.”
(How does my iPad not know the word guerilla? It was flagged as a misspelling.)
I was given a pair of A7 500s back in the 80s. I used them for a couple years maybe, and ended up leaving them at a gig somewhere. Good riddance.I've still got a couple of 4 channel Shure mixers, and a pair of A7-500 speaker cabs. State of the art in '65.